Through the Collodion Forum I found a link to an excellent French site belonging to Philip Aprosio, this along with instructions in the "Silver Sunbeam" enabled me to make my own cotton or nitrocellulose.*
This quarter plate ambrotype was made using a dry plate camera with a darkslide converted for wet plate.
I was extremely fortunate in having this success at the first trial of the process. When I think of the days during which nothing has gone right because the silver bath has been out of order or the iodised collodion has been faulty in some way, I realise just how lucky I was to get everything working well on that first occasion.
I try to ensure that all the equipment and methods I use represent, as accurately as possible, those used by photographers in the wet plate era.
The lenses I use were all manufactured in the 1850s, 1860s or 1870s. The cameras are carefully built reproductions of those used at that period.
* I very strongly recommend that no one, without prior chemical laboratory experience, should attempt to make their own nitrocellulose. It is a very dangerous process and quite unnecessary, as I later discovered that (B.D.H) Merck supply a perfectly suitable collodion for photographic purposes. SIGMA-ALDRICH also supply FLUKA collodion which I have used successfully, so I can recommend both varieties.
To see some of this equipment go to my cameras page.
To see some details of my developing box and my camp set up, please go to my site page.
Please view my Frederick Scott Archer page.
Anyone curious about the workings of Dallmeyer's Newman Street lens factory may find these Lantern Slides of interest.
If you are interested in giving the process a trial I am always happy to demonstrate it at my home in North London, I can be contacted at this email addressAnti Spam
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I took part in American Civil War reenacting for some years.
However following a serious illness in 1999 I found I was no longer fit enough for a military role and retired.
Not wanting to give up reenacting entirely and particularly enjoying its living history element, and having had some considerable photographic experience, I decided take the role of a mid-nineteenth century itinerant photographer.